Over and above the perennial roar-hum of the air conditioning, and the unpredictable plasticky dropping of toys by the children who live upstairs, my thoughts and worries charge, like thirsty punters in a rowdy bar, jostling their orders to the fore. These things don’t matter, you’ll see tomorrow, says Matthew McConaughey, who at first seems like a friend. He saunters in, rain dripping cinematically from the wavy rim of his Stetson, easily orders a drink and hikes spurred boots heavily onto a table to watch the fun and games. I’ll be here all night! Can someone please change the god awful music? But the song’s set in stone. It’s a virus I think I've picked up at the gym. We found love in a hopeless place, a hopeless place… Each time it ends I put it back on, in defiance of the flying empties and voices that holler for me not to. Play that one more time, I will shoot you square between your eyes, dares McConaughey with a tricky hand in his duster coat, momentarily hushing the room. But I call his bluff and he lets it go, grinning coolly under his dipping hat. The verses play out like a scratched CD, skipping over words I don’t know. I kick the sheets off, and so goes the night.